Bishop Allen's March EP included a track called the "the Monitor" about an old battleship, where Justin Rice (or his "narrator") imagines the battles fought by the ship and considers his isolation from the men at the ironworks, who work on and don't care. June's EP featured a song about the same Ironworks burning down called "The Same Fire." And neither song was really about an Ironworks.
"The Monitor" became the source of the album title the Broken String:
"It’s stunning to know I’ve survivedCharm School has been described by its creators as an album about lonely insomniacs who wander around New York City at night. In interviews Justice Rice, Bishop Allen's lyricist, has talked about Charm School as having a narrator; if this is the case, then before 2006's EP series there was never a chance to really get into the narrator's head, to see the world through his eyes. Something changed in January, and I don't know what it was. If there's anything I can say for certain about the Broken String it's that its attempt to condense 12 months' worth of songs into a single album feels shallow, like skipping rocks over the surface of a deep body of water. But some of those rocks are going to sink, damn it. Christian Rudder and Justin Rice's work deserves more fans.
But I’m not sure what I’m fighting for anymore
And when I break another string
And continue to sing
Is that courage? I’m not sure."
Bishop Allen - The Monitor (March EP)
Bishop Allen - The Same Fire (June EP)
Bishop Allen - Middle Management (The Broken String)
Buy the Broken String and 2006's EPs
Labels: Bishop Allen, brooklyn kids, song piece
You know, I never realized that's where the album title came from. Nice!
yeah, I thought it was a neat piece of info to put up.
4,5, 6 times in a row,there's no shame in listening to music that intensely. I do the same thing. I listened to almost nothing else except the new Josh Ritter all weekend. Great disc.
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(I'm actually embarrassed to be admitting this, but I do this type of intense listening with virtually all the music I post on).
You shouldn't be embarrassed -- speaking as a musician sick of writers' superficial takes on music, if you are going to write about music it ought to be based on close, repeated listening.